Warp Swap

Having got the CB loom polished, assembled, beamed, entered and gated I settled down to weave but after awhile I started to have subversive thoughts. The gist of the thoughts were that it was silly to be weaving a twill scarf on this (CB) loom when I had a perfectly good semi automated loom (Glimakra 24S with Toika loom controller) that would do the job more efficiently. I debated with myself  on this for a while but was reluctant to logically follow an argument that would render this CB loom redundant and eBay fodder.  Then I remembered my lurking project that would probably be better on a completely manual loom - Overshot. I'll go through my reasoning in another post but my first priority was to clear the CB loom.

The objective as to move the warp from the CB loom to the Glimakra.

I cut out the weaving I had done and rewound the warp back on to the warp beam. I took the warp beam off the CB loom and suspended it over the warp beam of the Glimakra.

This picture shows the warp with its lease sticks in place and tied onto the apron rod of the Glimakra.

To get a bit of tension I slung a couple of weight over the CB warp beam.

The picture below shows the situation half way through the process. The warp is being wound from the CB warp beam onto the Glimakra warp beam. The CB warp beam is suspended from the Glimakra frame directly above the Glimakra warp beam. Lease sticks are in place to maintain the cross and tension is supplied by some weights.

It was not plain sailing all the way. At some time during the initial beaming of this warp I managed to cross over some of the bouts which meant that when winding from one beam to another there were threads that crossed over each other and were reluctant to move smoothly through the lease sticks and pilled together. The next time I beam a warp I shall pay particular attention to see if I can work out where my mistake lies.

It is all done now so on to the next stages. I have had a touch of flu over the past few days and have used my lucid moments to study overshot drafts and change my mind a hundred times as to which pattern shall be the first cab of the rank.

Winding a multi-coloured warp

I have just finished winding an 18 yard warp for a series of twill scarves. The colour scheme is based upon the front cover of "The Handweaver's Pattern Directory" which I first tried to analyse about three years ago. It isn't an exact match as I am using my existing stocks of Bendigo 2ply. Once I have used this I can't repeat it because Bendigo Woolen Mills have severely reduced their colour range in 2 ply, which is a great pity.

I used my AVL warping wheel, sometimes it is a pity to take the warp of the wheel -  the stripes of colour look so good!

Because there were frequent colour changes I put together a spreadsheet which gave me a precise guide as  to when to change colour and when a section ends. The raw data came from the .wif file of the draft to which I applied some formulae and conditional formatting.

Beamed at last

The warp for the Big Block Blue Blanket is safely on at last. It took slightly longer than expected but it is done. The next task is to distribute the heddles evenly. As I am using the full width of the loom I can't have the spare heddles bunched up at the sides of the shafts, they must be spread out amongst the active heddles. I have been caught out by this one in the past on a table loom.