Contemporary Doubleweave Workshop

Well that workshop was fun and very informative. I have learnt a lot from both our tutor and from my fellow students. Now it is just a case of putting it into practise. I will not be giving any hostages to fortune by listing what I have learnt; I shall talk about each topic when I have actually done it.

The pictures show some of the work that was done ( I shall be plagarising) and the spacious weaving rooms where we produced it. I wonder what the topic will be for next year's workshop.

Weaving Workshop - Contemporary Double Weave

It is just before 7:00 am on Monday morning and I am in Mittagong. I am just about to start  week long workshop, "Contemporary Double Weave: reuse, layers and containers with Liz Williamson"  which is being held at the Sturt Craft Centre and I have to confess to being a little bit excited.

My wife drove me down here last night (about 100k from Sydney) and I am staying in a student hall - very novel! The grounds of the Sturt Craft Centre are lovely, the buildings are set in very satisfying gardens with lots of arbors, pergolas and woodland walks.

Double Weave Lace

In that brilliant book  Doubleweave : On Four to Eight Shafts by Ursina Arn-Grischottthere there is a picture of a beautiful double weave shawl with what seems to be two layers of airy lace held together by almost invisible stitcher threads. My next project is to work towards weaving a similar type of shawl. There are going to be several stages to this, the first being to determine a weave structure. I shall start with double weave huck and weave a sample using something nice and visible like an 8/2 cotton. This will enable me to see how the different layers sit together and where to put the stitchers - these are the places where the two layers intersect to join them together. 

As always when thinking about double weave I have to go back to first principals otherwise I get confused as to what is happening. The Complete Book of Drafting for Handweavers, Madelyn van der Hoogt explains very nicely the ins and outs of huck lace and there is loads of material on doubleweave by Paul O'Connor on http://handweaving.net. 

The pictures below show how I have derived the doubleweave draft. The first draft shows the basic 4 shaft huck lifts; this is the draft for my blue top layer. The second is exactly the same but with the threading moved to shafts 5 to 8 and a similar movement on the treadles; this is the draft for the pink bottom layer. The third draft shows the two interleaved together and the lifting of the top layer out of the way when weaving the bottom layer.

Now as the draft stands both layers will be the same; plain weave top/plain weave bottom, huck lace top/huck lace bottom and so on.  The draft shown below has been modified to allow for different structures in the layers, in this case huck lace on the top with plain weave on the bottom. 

One of the problems I have with double weave drafts is that I find  it is difficult to see the structure from the draw-down. It is possible to see the warp and weft floats in the draft below but not easy. I use PixeLoom for all my drafting but WeavePoint, which I use to drive the control unit on my loom, has a cunning feature that recognizes double weave in the View/Fabric function.  So I derive the drafts in PixeLoom and view the fabric in WeavePoint. The screen grabs from WeavePoint of the blue and pink layers (top and bottom) are shown in the picture next to the draft.

The next think to do is to work out where to put the stitchers as there is nothing joining these two layers of cloth. There will be a bit of theory needed that I shall address tomorrow (I love theory but I know that it is not everyone's cup of tea) but their ultimate position will be decided when I weave the sample.

In the meantime I am still weaving my scarves and they are looking pretty good. I have put up an inordinate number of pictures of these scarves, so no more now until they are being modeled!