Abstract Tree

Soumak Tapestry - Abstract Tree

This tapestry is based on a watercolour by Carolina Martinez. I wove it using a variety of soumak knots, varying them to try to get some texture and movement. It was very satisfying to weave and was looking quite reasonable on the loom. When I cut it off various distortions appeared and I had to block like crazy to get it back towards the rectangular. I have been pondering as to the reason for this and I have the following possible causes.

-Knots tied at different tensions

-No plain weave between the rows of soumak

-Uneven distribution of line soumak (used for the tree) and dot soumak (used for the background).

The photographs below some of the stages in the weaving. I wove it intermittently over a period of 10 months.

 

Technical

7 1/4 x 10 8/10 "

10 epi

Warp:- 98 ends of 12/9 seine twine

Weft:- 3 strands Bendigo 2 ply wool

Tapestry

I am trying a little tapestry. Not sure what will come of it but so far so good. I have just reached the tree trunks.

 

Tapestry on a horizontal loom

I have nearly completed the "Sun" tapestry but I have put it to one side whilst I worked on how I could improve the mechanics of what I was doing. I had found that after a while working at an upright frame became uncomfortable. Working on my lap solved this but in this position I found that I had difficulty in keeping the frame still whilst I opened a shed with my fingertips and controlling it whilst laying in the weft. Because I felt that the whole setup was unstable I was unable to focus on getting a consistency of texture across the piece. I had also being having problems with getting an even warp tension on the loom and keeping it nice and tight.

Pondering on all of this I remembered and re-read an article by called "Weaving a tapestry on a horizontal loom" by Jay Wilson in the May/June 1995 edition of Handwoven. What he had to say made eminent sense to me so I dug out a 2 shaft loom that I had sitting on a shelf  and put on a 2 yard warp of 12/9 seine twine.

I have started weaving on this warp and my main problems seem to be resolved;

• No more tension problems. I laced on the warp at both ends and gradually increased the tension whilst "twanging" the warp to spread the tension. Using this table loom I can get the warp much tighter than I could on a frame and this helps with packing in the weft.
• I find the working position very comfortable and I can see exactly what I am doing. 
• Making the shed is easy and I no longer have to struggle

I have started using netting needles as well as bobbins and I find the needles easier to use in certain circumstances.

I have been working on a piece using slits and wrapping technique and trying (not always successfully) to get even selvedges and uniform coverage. Three strands of Appleton's crewel wool seems to be doing the trick for the weft. Early days but I am much more comfortable about it all.

Tapestry Diversion

A tapestry workshop is coming up and I have booked for it. The workshop is being run by Marie & Yvonne. I have been to a couple of their workshops and they were both very good. (They do other things, see http://ymmyarns.blogspot.com/)

 To quote from the notice for the workshop "More experienced make tapestries using supplementary weft or work on your own design while learning more advanced techniques."

The problem is that apart from a two day tapestry workshop where I wove a little sampler that is languishing in a drawer somewhere and a play with a very 70s style wall hanging about six months ago my tapestry experience is non existent. So, I have until the 21st October to become "more experienced"!

I took the warped frame from the wall hanging, shifted it around until I had "empty" warp and off I went.

It became a sort of extended doodle that I have been working on all last week. I tried various yarns that I had and found that Paternayan Persian seemed to suit me best. There is a tapestry shop about ten minutes walk from my work (Morris & Sons) so I have been able to pop in during my lunch break to get fresh supplies.

I didn't have a cartoon (apart from one for my attempt at a circle) but I did sketch what I had done with loads of notes. There is a load of work to do on my technique (tension and coverage) and until I started colouring my warps (red shed/blue shed) I had all sorts of problems.

 I still tend to get lost when building up shapes and then filling in their complement; I feel much more comfortable doing a row at a time but even then shapes tend to wander off an do their own thing. Great fun but I think that this piece of work has run its course so I shall do another couple of inches (columns or pillars I think to get this weft interlock thing nutted out) and the I shall start a fresh piece of work.